Episode Transcript
[00:00:01] Gospel thrillers, part one by Andrew Jacobs, read by John Paul Middlesworth. Introduction by Bart Ehrman. Probably all, nearly all of us have read thrillers, and all of us certainly have heard of gospels, and some of us have read gospel thrillers. But do you know what a gospel thriller is? You've probably never heard the term because it was recently coined by scholar of late antiquity Andrew Jacobs in his intriguing analysis of them, the first analysis ever done accessible to laypeople. Hey, we're talking thrillers here. Just now being published. Gospel thrillers, conspiracy fiction, and the vulnerable Bible. Cambridge University Press. Check it out. It's available on Amazon.com. I've known Andrew since he was a graduate student at Duke many a year ago. He is now a senior research fellow at the center of World Religions at Harvard. He is one of the leading figures in the study of Christianity of late antiquity, currently the president of the Maine Professional Society, North American Patristic Society. The book is terrific and so I've asked Andrew to write a few blog posts about it for us. Here is the first what are gospel thrillers? Had you opened up the New York Times in the summer of 1964, you might have seen an ad for a new novel called the Q Document, featuring an image from the hardback cover, a scroll with aramaic characters on the inside. The ad copy asked, why did Red China want the Q document? Why did the Vatican send someone to buy it? Why did the Nazis believe in it, even though its discoverer was a jew? Why did a catholic priest contemplate murder because of it? What did the Q document reveal? The bottom of the ad explains further quote it tells what happens when a 2000 year old scroll that casts substantial doubt upon the divinity of Jesus Christ is discovered, unquote. The Q document is the first of a genre of novel I call gospel thrillers. Dozens have appeared since then, and they all share a similar plot. A new first century gospel is discovered or is rumored to exist. Shadowy forces allied with sinister political or religious institutions are conspiring to seize control of the gospel. A protagonist who has stumbled onto this biblical conspiracy finds himself in a race against time to reveal the truth about Christ, christian origins, and of all western civilization that has been hidden for centuries. In my new book, Gospel thrillers, Conspiracy Fiction, and the Vulnerable Bible, I look at this quirky sub genre of fiction to pose larger questions about the Bible in U. S. Culture here at Bart's blog. Thanks for the invitation. I provide a preview of some of these questions and the answers I propose in my book. In this first post, I give you a general overview of the gospel thrillers genre and what I think these novels can teach us about fears and desires about the Bible in the United States. In subsequent posts, I'll take a deeper dive into some of the twisty fantasies played out in these novels, particularly around orthodoxy and heresy, and then explore how these fictional fantasies have played out in real world academic controversies. Stories about biblical discoveries are not new, but in the 1960s they took on a new form. Unlike earlier mysteries or adventure tales, these new novels are thrillers. They are characterized by fast pace global travel, international conspiracies, and protagonists groping for the shocking truth. Thrillers were shaped by Cold War sensibilities, shadowy forces behind the scenes, allies who were not what they seemed, secrets long hidden that might come to light. You might be surprised to find the Bible as the object of conspiratorial fiction alongside nuclear secrets and presidential assassinations. But the Bible has always been an object of fear and fascination in the United States. It has inspired riots, Supreme Court cases, and even a gleaming six story privately owned museum in the US capital city.
[00:04:12] The Bible in these novels, and in U. S. Culture generally, is a Christian Bible, most often that of mainstream protestant Christians. This Bible has held a precarious place in us education, politics, and culture since the founding era. That mainstream Protestant Bible could be swept up into a paranoid style of U. S. Politics because it came to be understood as both uniquely powerful and particularly vulnerable. The Bible you have on your bookshelf or on your smartphone is the product of more than a century of revision and retranslation, reliant on new discoveries and new methods generated by experts in biblical studies. The most recent critical edition of the New Testament, used by scholars as a standin for our oldest nonsurviving original texts, is currently in its 28th edition. The Society of Biblical Literature has just published an updated edition, the Nrsvue of the New Revised standard Version of the Bible, which was itself a 1980s update of a revised standard version that was published in the 1950s. When that RSV first appeared, its editors were accused of being infiltrated by communist agents out to subvert authentic us christian values. If the Bible can be revised, it is also vulnerable to manipulation, to mistranslation, to mischief. The vulnerability of the Bible generates not only fear but also excitement. After all, if new discoveries can lead scholars to change the text of the Bible, why not imagine discoveries so momentous as to call the entire biblical narrative into question?
[00:05:53] Two manuscript discoveries of the 1940s, the Dead Sea Scrolls and the Nag Hamadi codices, ramped up the desire for some new text that might overturn centuries of biblical suppression of a long lost truth. The novels that began appearing in 1964 and continue to be published in the 21st century grapple with these fears and desires head on. By imagining an entirely new first century text, a gospel by Judas, Pilate, Claudius, Matthias, Mary, John, Peter, or Jesus himself, these novels play out the fantasies and fears that linger behind the vulnerability of the modern Us Bible. The inclusion of an invented first century gospel also distinguishes these novels from their more famous close cousin, the Da Vinci Code. These novels probe the political, theological, and personal vulnerabilities of the Bible. Novels that imagine a newly discovered Dead Sea scroll about or by Jesus Place the reader alongside protagonists who navigate the geopolitical dangers of the desert lands of the Middle east, where archaeologists are assassinated in hotel rooms, as in Elizabeth Peter's Dead Sea cipher, or massacred by Bedouin guerrillas, as in Peter van Greenaway's the Judas Gospel. More theologically oriented novels play with the idea that Jesus'true teachings about liberation or self actualization might have been suppressed by the narrow and patriarchal interests of institutional churches, as in J. G. Sandom's gospel truths or Robert Ludlam's the Gemini Contenders, the novels also delve deeply into the personal motivations of those figures determined to reveal or suppress dangerous truths about the Bible, vatican priests, disaffected scholars, and untrustworthy foreigners. Because these are novels, they can create the most fluorid and outrageous scenarios of biblical conspiracy. The danger to and from the Bible is magnified, but also because these are novels safely contained within the covers of a fiction. Even though these novels repeatedly tell us the newly found gospel is a bombshell waiting to explode, the end of the novel usually finds everything restored to status quo. These novels, I suggest, are like release valves for a reading public, haunted and fascinated by the power and vulnerability of the Bible. As long as the vulnerability of the Bible floats through our cultural consciousness, these little noticed novels will keep appearing to magnify and contain those biblical fears and desires.
[00:08:34] Gospel thrillers is available at a discount in ebook format now at Amazon and Barnes and Noble, and will be available in the United States in hardback on February eigth. For more more about the novels and their context, check out Andrew Jacobs'website with summaries, reviews, and more information about the Bible and conspiracy. To find out more about Andrew Jacobs, you can visit his academic website. The links are all on the online blog.
